Panel decorativo con escenas rurales. Madreperla y laca. Arte Oriental. Siglo XX Panel lacado con incrustaciones de madreperla. Medidas: 49 x 20 cm. Composición vertical con escena de paisaje tropical: palmeras, casas sobre el agua, figuras humanas, arrozales y búfalos. Los detalles están elaborados en madreperla tallada, combinando brillo y reflejos sobre el fondo oscuro lacado. La disposición narrativa y el uso de materiales preciosos reflejan las técnicas tradicionales asiáticas aplicadas a paneles decorativos durante el Siglo XX, especialmente para exportación, evocando la vida cotidiana en el medio rural con un enfoque armónico y ornamental.
Panel decorativo con incrustaciones de madreperla. Arte Oriental. Siglo XX Panel rectangular con fondo lacado negro e incrustaciones de madreperla. Medidas: 49 x 20 cm. La escena muestra una figura femenina portando un instrumento musical de cañas, en un entorno montañoso con casas sobre pilotes y vegetación exótica. Las iridiscencias naturales de la madreperla se combinan con pigmentos ocres y verdes, generando contrastes lumínicos sobre el fondo oscuro. Este tipo de paneles forman parte del arte decorativo del Sudeste Asiático, destacando por su virtuosismo técnico y su contenido simbólico relacionado con la vida rural y la armonía con la naturaleza.
Rural Scene. Signed: Dumónt. French School. 19th Century. Oil on canvas. Dimensions: 36 x 19 cm (unframed); 45 x 28 cm (framed). A river landscape dominated by a medieval tower and a rural dwelling, framed by autumnal vegetation and a twilight sky. Two figures navigate a small boat, adding dynamism to the composition. The filtered light and the use of earthy colors with greenish undertones evoke a serene atmosphere. The brushwork is loose yet controlled, creating contrasts between the textures of the water, stone, and vegetation. Signed Dumónt, his style belongs to the 19th-century French landscape school, close to late Romanticism, with particular attention to nostalgic atmosphere and the balance between nature and architecture.
Women Sewing. Signed: Agustín Pedro Acciaga. Spanish School. 20th Century. Oil on canvas. Dimensions: 62 x 41 cm (unframed); 82 x 59 cm (framed). The scene unfolds in a Mediterranean urban setting, where four women and a girl, dressed in richly decorated regional costumes, engage in the everyday activity of spinning. The composition is notable for its dynamism and balance, with a triangular arrangement that guides the eye from the standing woman to the seated figures, creating a fluid narrative. The warm and luminous color palette harmonizes with the stony texture of the architectural background, rendered with expressive brushstrokes. The details in the clothing, the serene expressions, and the interaction of the hands convey a costumbrista sensibility characteristic of 20th-century Spanish painting. Signed by Agustín Pedro Acciaga, the painterly treatment and detailed execution place it within the costumbrista tradition rooted in academicism with regionalist influences.
Carriage, signed Tomeu, Catalan school. Watercolor. Dimensions: 59 cm x 41 cm and 91 cm x 75 cm
Pair of cupboard doors, Spanish School. 17th century. Carved and assembled wood. This set of two cupboard doors is made of solid wood, composed of plain panels at the bottom and interlaced latticework at the top, decorated with small metal studs. The architectural design of the pointed arches carved in relief on each leaf reinforces its historicist character, evoking late Gothic-inspired models in 17th-century Spanish domestic woodwork. The surface displays a natural patina of aging that testifies to its continued use and authenticity, preserving remnants of the original hardware and lock. The decorative restraint is combined with meticulous technical execution, typical of traditional Castilian woodwork. This pair of doors not only serves a practical function but also constitutes a tangible testament to antique architectural furnishings, with great decorative and heritage value. Dimensions: 130 × 38 × 4 cm
Molded and engraved pewter. Spouted jug with a slightly convex cylindrical body, a truncated conical base, and a tall neck, ending in a spout with raised vegetal decoration. The body is decorated with engraved floral and geometric motifs and features two anthropomorphic heads in high relief as lateral decorative elements. Made of high-quality pewter, the piece reveals meticulous craftsmanship in the engraving and modeling, highlighting the delicacy of the ornamental details. Its typology corresponds to the ceremonial or utilitarian jugs typical of 17th-century Central European households, used both for serving beverages and for domestic display. The balance of its silhouette, the rich ornamentation, and its excellent state of preservation make this piece an outstanding example of German metalwork from the Baroque period. Dimensions: 21 × 13 × 21 cm
German bronze mortar, Germanic School. 17th century. Cast and chased bronze. The mortar has a truncated conical shape with two side handles and a body profusely decorated with friezes of vegetal scrolls and mythological figures in relief. The upper part is topped by an ornamental epigraphic inscription that runs around the perimeter, probably commemorating or alluding to the object's medicinal use. The piece is accompanied by its original pestle, also in bronze, which underscores its excellent state of preservation. The quality of the modeling, the density of the ornamentation, and the balance of forms demonstrate remarkable technical mastery on the part of the founder, placing this piece within the high-quality German production of the period. Its morphology and iconographic repertoire link it to Renaissance mortars from the Germanic world, used in both apothecaries and wealthy homes. Its importance lies not only in its functionality but also in its artistic value as a decorative and symbolic object. Dimensions: 12 × 14 × 14 cm
Roman chariot made of marble dust, Grand Tour, Italy, 20th century. Dimensions: 45 x 62 x 21 cm. This highly dynamic sculpture depicts a charioteer wearing a classical helmet, driving a chariot drawn by two galloping horses. The figure is rendered with vigorous modeling and tension in the manes, muscles, and harness. The composition, supported by a rectangular base with a geometric border, conveys the power and movement characteristic of 20th-century historicist representations inspired by Antiquity. The detailed anatomy and the balance between proportions and gesture evoke the influence of Roman academicism, reinterpreted in a modern style.
Immaculate Virgin. Italian School. 17th Century. Carved and polychromed wood. Dimensions: not specified. This sculpture in the round depicts the Immaculate Virgin standing on clouds and cherub heads, with her hands joined in prayer and her gaze lifted. The drapery, rendered in ample folds and embellished with gilding, lends an upward movement that reinforces the figure's spirituality. The polychromy retains warm tones and burnished gold, highlighting the expressive quality of the serene and devout face. A representative work of the 17th-century Italian Baroque school, in which Marian exaltation is materialized in an image of great devotional and aesthetic power.
