Carafe in cut and frosted glass with geometric and vine decoration. Punched Spanish silver cover, s.XX. Height: 24.5 cm.
Our Lady of Kazan, Russian Orthodox Icon in wood and embossed silver, Orthodox school from the 19th - 20th century In silver and polychrome wood, framed measurements: 46 x 41 cm, icon measurements: 33 x 26 cm
Silver blessing pot, 19th century Measurements: 14 x 8 x 2 cm
Pair of Silver Boxes with enamels, 19th century Measurements: 2 x 4 x 4 cm
Christ in silver with a 19th century frame. Christ measures 5 x 5 cm, frame measures: 30 x 20 cm
Gothic style tabletop crucifix in silver. Dimensions: 16 x 10 x 6 cm
Murano glass and silver pitcher - Design - 1950s. Dimensions: 16 x 6 x 6 cm
Tri-fold holy water font in fine silver. Sterling silver 925. Measurements: 14 cm x 10 cm x 3 cm open, 14 cm x 5 cm x 3 cm closed
Chalice with semiprecious stones in sterling silver. Early 20th century Art Nouveau. 925 sterling silver. Dimensions: 14 cm x 10 cm x 10 cm
Vanity set in silver and English guilloché enamel. Sheffield hallmarks, early 1900s. Silver and Art Deco enamel. Measurements: mirror 26 cm x 11 cm x 1 cm, large brush 24 cm x 10 cm x 4 cm, small brush 3 cm x 15 cm x 4 cm
Smoking pipe tip in silver and bakelite. Silver and 18k gold. Measurements: pipe 10 cm x 22 cm x 22 cm, box 25 cm x 13 cm x 4.5 cm
18th-century Anglo-Indian colonial silver snuffbox. Sterling silver (800), tortoiseshell, and gold. Dimensions: 3 cm x 7 cm x 7 cm
Important French silver-plated bronze centerpiece candlestick. Charles X restoration, 19th century. Silver-plated bronze. 68 cm high.
Writing set with nib and letter opener. European school. 19th century. Silver, tortoiseshell, and steel. The set comprises a tortoiseshell nib with a turned handle, a letter opener with a repoussé silver handle decorated with geometric and floral motifs, and a seal breaker topped with a spherical tortoiseshell knob. Presented in its original case with a silk and velvet interior, the set exemplifies the refinement and elegance of 19th-century writing instruments, where a taste for ornamentation coexisted with functionality. The meticulous craftsmanship reveals precise attention to detail, with smooth transitions between fine materials. The understated style, characteristic of the bourgeois aesthetic of the period, reflects the decorative sensibilities of European high society in the 19th century, where everyday objects were also expressions of status and culture. Dimensions: 13 × 22 × 3 cm.
Chinese or Vietnamese Rickshaw in Silver. Oriental School. 19th Century. Chiseled and cast silver. Dimensions: 10 x 3 x 4 cm. Miniature sculpture depicting a traditional Chinese rickshaw or tricycle, with driver and passenger under a decorated canopy. The fine metalwork is evident in the details of the clothing, the vehicle, and the metal frame. This type of piece, typical of 19th-century Asian export crafts, combines realism and delicacy in its execution. The use of silver lends brilliance and distinction, demonstrating the Oriental technical mastery in creating small-format genre figures.
Box with engraved temple. Silver, Indo-Himalayan School. 19th century. Repoussé and chased silver. Dimensions: 4 x 3 x 9 cm. This irregularly shaped silver box is decorated in relief with an architectural scene depicting stepped temples against a mountainous landscape, possibly inspired by the sanctuaries of the Kathmandu Valley. The fine chased work and the multi-layered composition reveal a profound narrative sense and remarkable skill in metalwork. Its total weight is 172 grams. This piece, typical of 19th-century Indo-Himalayan silversmithing, combines technical precision with a symbolic iconography of spiritual ascent, reflecting the fusion of decorative art and religious devotion.
Portarretratos en plata con respaldo en madera. Escuela Europea. Siglo XIX Marco portarretratos de sobremesa. Medidas: 31 cm. Estructura de contorno mixtilíneo en plata labrada con decoración floral y roleos en relieve, coronado por cartela con escudo. El reverso está compuesto por plancha de madera con pie de apoyo. El diseño, de gusto rococó tardío, conjuga elegancia ornamental con funcionalidad doméstica, propio de la producción europea decimonónica. Estos marcos eran habituales en tocadores o salones, exhibiendo retratos familiares o miniaturas, y representan la fusión entre artes decorativas y utilitarias en el Siglo XIX.
Portarretratos ovalado en plata. Escuela Europea. Siglo XIX Marco ovalado de sobremesa en plata. Medidas: 31 x 21 cm. Estructura de perfil perlado con pie curvo y remate superior en lazo calado. El soporte trasero es metálico con sistema de apoyo inclinado. La línea curva y la decoración de gusto neorococó remiten a la estética de fines del Siglo XIX, con énfasis en la elegancia y simetría ornamental. Diseñado para contener retratos fotográficos o miniaturas, este tipo de marco combina refinamiento técnico con valor decorativo, representativo de la producción europea en platería artística
Portarretratos peruano repujado en plata. Escuela Europea. Siglo XIX Marco portarretratos en plata repujada. Medidas: 30 x 23 cm. De forma rectangular con perfil ondulado y ventana interior ovalada, presenta un elaborado trabajo de orfebrería con motivos florales, rocallas, roleos vegetales y perlas en relieve. El diseño ornamentado, de inspiración barroca tardía, denota una factura minuciosa en la labor del repujado. Este tipo de marcos, propios del gusto burgués decimonónico, eran utilizados para retratos fotográficos o miniaturas y ocupaban un lugar destacado en tocadores y salones, combinando función decorativa con calidad artesanal.
